Mahaiwe Temporary Closure Update

While our building is closed to the public until further notice, our drive-in is open Thursday through Saturday, through Labor Day weekend. The Box Office is accessible by phone.

Mahaiwe Events Calendar


Beetlejuice (1988) - Thursday, August 6th at 9pm

The Princess Bride (1987) - Friday, August 7th at 9pm

The Princess Bride (1987) - Saturday, August 8th at 9pm

POSTPONED: CEWM: Café Music - Jazz, Rap, and World Premiere!
Saturday, June 13th 2020






Due to the COVID-19 pandemic this show will be postponed. The new show date is to be determined.  

If you have purchased tickets for the original concert date of Sat. May 23rd, they WILL be valid for the new concert date that is to be determined. When a new concert date is confirmed you'll receive an e-mail confirmation with this information. For up to date information you may also visit our website at

Ticket exchange credit or refunds are available at point of purchase.  At this time the Mahaiwe Box Office is open for phone service only, Wednesday through Saturday, Noon - 4pm. (413) 528 -0100.

Paul Schoenfield’s runaway classical hit, Café Music for piano trio, sets the tone for this celebration of summer. Combining ingredients of classical music, jazz, klezmer and whimsy, Café Music is irresistible and full of energy—caffeine-fueled music at its most entertaining. Claude Bolling’s classical/jazz musings in the Suite for Cello and Jazz Trio (double bass and percussion) offer up interpolations of boogie-woogie and ragtime with Baroque underpinnings, not to mention sizzling panache. Gershwin, who “made an honest woman of jazz,” is represented with his Three Preludes for Piano. Close Encounters continues its commissioning program with the unveiling of a new work by Tamar Muskal for tabla drums, cello and rap artist, featuring Avirodh Sharma, who has performed at Lincoln Center, the Joseph Papp Public Theater, the Joyce, Harlem Stage, and Joe’s Pub. Of Muskal’s music, the Chicago Tribune has written: “The ripples and shimmers that filled Muskal’s post-minimalist score were as evanescent as swirling, digitized visuals—dissolving into one another with kaleidoscopic beauty…high-tech music theater at its most inventive and fascinating.”

Michael Chertock, piano; Xiao-Dong Wang, violin; Avirodh Sharma, tabla; Artie Dixson, percussion; James Cammack, double bass; Yehuda Hanani, cello


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